Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

7 July 2009

The place I call Home

(Drawing of Taiwan by Li Jinyuan)

Being an expatriate forces you to redefine your landmarks: new country, new language, new customs, new food, new landscapes. But everybody's ability to adapt one self to an alien environment is not so flexible. Some might just bring along with them, their items, their different habits of the previous life they have been accustomed to during twenty, thirty, fourty years... Some will just try to recreate the exact same life they were living back-there and no one can blame them for doing so because nobody questions the need "to feel home".

Living in Taiwan for more than four years now, I realize that Taipei is now my home de facto: I work here, have my bank account here, my social insurance, some friends...People say my Chinese is very acceptable (although I keep thinking that my Chinese is never good enough), I can perfectly cope with my life here. But still, I don't know what is a real home, is it that mental edifice that puts a roof above my head and walls around me? Is it the place where I feel warm and protected? Could it be the territory of my ancestors? But where are my ancestors after all? The history of my family is like scattered pieces, a real puzzle and "casse-tête chinois". Being in Taipei and rubbing myself with Chinese culture, I think I can understand a bit better my mother but I am not yet convinced that I am home. Physically, I don't have any home in Paris except my mother's one which is also my childhood's one.

The place I call Home might still be imaginary but it is as real as a poem. Let's just relax and follow Baudelaire's "Invitation to the Voyage":

My child, my sister,
Think of the rapture
Of living together there!
Of loving at will,
Of loving till death,
In the land that is like you!
The misty sunlight
Of those cloudy skies
Has for my spirit the charms,
So mysterious,
Of your treacherous eyes,
Shining brightly through their tears.
There all is order and beauty,
Luxury, peace, and pleasure.
Gleaming furniture,
Polished by the years,
Will ornament our bedroom;
The rarest flowers
Mingling their fragrance
With the faint scent of amber,
The ornate ceilings,
The limpid mirrors,
The oriental splendor,
All would whisper there
Secretly to the soul
In its soft, native language.
There all is order and beauty,
Luxury, peace, and pleasure.
See on the canals
Those vessels sleeping.
Their mood is adventurous;
It's to satisfy
Your slightest desire
That they come from the ends of the earth.
— The setting suns
Adorn the fields,
The canals, the whole city,
With hyacinth and gold;
The world falls asleep
In a warm glow of light.
There all is order and beauty,
Luxury, peace, and pleasure.

(Translated by William Aggeler, 1954)
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This post was triggered by Nick Coulson 's article on eRenlai:

2 April 2009

"I dwell in Possibility"


"A fairer House than Prose"

These beautiful lines composed by Emily Dickinson start Benoit Vermander's article on imagination. And what could better praise imagination than her poetry? Emily Dickinson who chose to seclude herself at the age of 30, wrote more than 1770 poems. She reminds me -maybe wrongly - of Marcel Proust who achieved his masterpiece enclosed during 15 years between the walls of his room, which he had beforehand soundproofed.

Stimulated by the eRenlai Springtime Focus, I decided to let my imagination run... but not too far! Actually, it just went in the hills behind my house. Roy Berman, a friend and also a contributor to the magazine, had come to visit me last summer. Later on, he sent me pictures of the slum and of the graveyard located in the other side of the hill where I dwell. I composed then a post-apocalyptic story after his pictures, trying to depict the routine of an old man who uses his imagination to replace his lost memory. This is what one could call an "imaginative" mise en abyme but I'd rather let you judge by yourself:

The Man in the Mountains
(or click here to download the pdf version)

Also, I recommend you the A Few Polar Songs by the lo-krautfolk musician Krotz Strüder who brilliantly sings 6 poems of Emily Dickinson and one by Emily Brönte. I copy here my three favorites:


The sky is low, the clouds are mean,
A travelling flake of snow
Across a barn or through a rut
Debates if it will go.

A narrow wind complains all day
How some one treated him;
Nature, like us, is sometimes caught
Without her diadem.

~ Emily Dickinson



We never know we go when we are going
We jest and shut the Door
Fate - following - behind us bolts it
And we accost no more.

~ Emily Dickinson


Emily Bronte - Come, Walk With Me

Come, walk with me,
There's only thee
To bless my spirit now -
We used to love on winter nights
To wander through the snow;
Can we not woo back old delights?
The clouds rush dark and wild
They fleck with shade our mountain heights
The same as long ago
And on the horizon rest at last
In looming masses piled;
While moonbeams flash and fly so fast
We scarce can say they smiled -

Come walk with me, come walk with me;
We were not once so few
But Death has stolen our company
As sunshine steals the dew -
He took them one by one and we
Are left the only two;
So closer would my feelings twine
Because they have no stay but thine -

'Nay call me not - it may not be
Is human love so true?
Can Friendship's flower droop on for years
And then revive anew?
No, though the soil be wet with tears,
How fair soe'er it grew
The vital sap once perished
Will never flow again
And surer than that dwelling dread,
The narrow dungeon of the dead
Time parts the hearts of men

25 July 2007

Bendu, the Pied Piper...


Here I would like to introduce our mysterious guest: Bendu… Bendu is an unseizable being, a poet of modern ages who wanders on eRenlai, swarming his words and his colors... Unlike the pied piper of Hamelin, his melodies are not followed by rats but by pictures, poems or paintings: Here are his inks, colors explosions or lines guided by the blow of the spirit… Inks painting by Bendu.

And an oceanic poem for those who haven’t seen the sea for a long time…
 
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