Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

13 November 2009

Taiwan Colour Code

As we enter the winter season in the Northern hemisphere and we've all come down with viruses, flues and other boo-hoo's, eRenlai is still on full speed and we have our very own cocktail of vitamins to ease you through the freeze. This month's edition has an artistic and contemplative flavour as we introduce you three talented and original musicians. Yaping Wang is a young Taiwanese female composer who tells us how she discovered her vocation, Luo Chao-yun (AKA Pipawoman) likes to merge her experimental music with musicians from all over the world, including Erdem Helvacioglu, a Turkish guitarist and musical engineer with whom she has recently recorded an album in Istanbul. This music, together with Yaping's is provided in the printed edition of Renlai Magazine in Taiwan (email me for more info or to get the CD).

In the editorial section, Benoit Vermander comforts us with his own interpretation of Bodily Pains, before taking on the challenges of the Catholic Church in Taiwan. From Nick's travels in Java he brings you back sun and poetry in a video of Yoyo Jewe on the Progo River. Furthermore, Marcos Gava depicts the murky world of Buenos Aires in the surroundings of the Recoleta cemetery and Adam Materna rants against the absurdities of the world.

Our Focus invites you to a poetic and pictorial exploration of Taiwan through its 'colour code': if you had to express one feeling or one recollection with a colour, which tint would it be? You could stop one moment, close your eyes and think of a landscape or the immediate environment you’re in, what is the first image to appear in your mind? Is it only a picture? Could it be a sound, a smell, a feeling? Here, we would like to offer you a synesthetic experience through associations of colours, sensations and memories, starting for example with Grey and Pink.

We hope that you will enjoy this issue as much as we did preparing it and we wish you an excellent month of November.

10 September 2009

The Flow of Fear

Renlai's Monthly September issue differs slighltly from eRenlai's Focus ( The Seven Crises of Humankind) as its subject is "The Flow of Fear" (恐懼流映), starting with the fear of pandemics in the context of globalization. I had been asked then to contribute an article on that subject and I chose to describe and analyze fear in the zombies and post-apocalyptic movies of Hollywood from the last two decades. I have to confess that I suffered a bit while 'doing my researches' on the subject as I had to watch in a relatively short time a bunch of movies starring living-dead people and pandemics, which were quite of unequal quality. Finally I made my choice on these 5 movies: Outbreak, Twelve Monkeys, 28 Days Later, Resident Evil: Extinction and I Am Legend. I hope I could convey in my article that that choice was not completely arbitrary as I tried to underline certain common features of these different films.

Fear in the post-apocalyptic movies of the 90’s-2000's

Also, not directly related but still enjoyable: here is a video clip (in 'hommage' to John Carpenter) by Zombie Zombie, a French band which actually performed last year at the Fulong Festival in Taiwan.

17 October 2008

Taiwan Perhaps...

Gelan Chang (葛蘭) was born in Shanghai in 1933 and she was an actress and a singer in the 50's and 60's in Hong Kong. She's known for her appearances in musicals where she covered many classicals such as Carmen in The Wild, Wild Rose which is one of her most popular movies. To me, she's completely part of my mental reconstruction of the "modern" Chinese culture from the past: Hong Kong and Taiwan in the 60s, a perfume of old rose and camphor, colourful dresses which my grandfather taylored at this time and a small but peculiar event a couple of years ago, my own "petite madeleine" experience. When I went to visit my father for the first time in Cambodia, my father took me to the places where he spent his childhood and his youth. This trip in the past ended at home, when my father decided to show me mambo steps in front of a large stained mirror... One year later, I was struck by its reminiscence when I saw the hero of Days of being wild do the same. The images of my father and Leslie Cheung just perfectly superimposed and time seemed abolished the moment of a short mambo dance. Since then, I have a weakness for the music inspired by Latin rhythm of the fifties and the sixties, I confess that the first time I have heard "Quizas Quizas" was through the kitsch cover by Nat King Cole "Perhaps Perhaps", and Dean Martin's "That's amore" is a very familiar tune as well...

Likewise, the imaginary Taiwan I partly built from movies is also made up of these oldies: the Hole, directed by Tsai Ming Liang, is one of the first Taiwanese movies I taped and watched restlessly when I was a TVphagous. The movie takes place at the turn of the millenium and depicts a very gloomy Taiwanese city devastated by a strange virus which is responsible for a illness called "the cockroach disease" as people suffering from this disease tend to act like cockroaches! Although the movie is quite dark (in every sense as it is also raining most of the time), it also goes through merrier moments when it depicts the love story between the two main characters who start to sing and dance as if they were in a musical comedy. One of the songs interpreted by the female character is nothing else than one Gelan's song!

Then, to me, 我要你的愛 (Wo yao ni de ai, "I want your love") is also closely related to my fantasized Taipei and, after visiting one of its most picturesque sites, The Taiwan Beer Brewery, I did this small montage on erenlai TV:



Also watch Bendu creation:

(Photos from Air Hostess (Li Men, 1959) and
C.P.)

27 November 2007

Free Hug


This is a picture taken during the annual gaypride of Taipei... I wonder if sometimes we do not exagerate the power of words (most of all of written words - cf. Do not let your t-shirt do the talking for you). I could observe that during 20 minutes the poor boy didn't get the chance to give even one free hug...
By the way, "Free Hugs" is also the name of a cafe located in the "Wall", a famous concert place in Taipei. I recommend both of them of course...
THE WALL-
ADDRESS B1F., No.200, Sec. 4, Roosevelt Rd., Wenshan District, Taipei City 116,Taiwan
地址 台北市文山區羅斯福路四段200號B1
http://www.the-wall.com.tw/

5 November 2007

Take the funicular to Wulai...

Some of you might know that the latest tourist attractions in Taipei's surroundings are the "Maokong Gondolas": these small cable-cars take you from the Taipei zoo to the Zhinan temple in the hills of Muzha (South-East of Taipei). Unfortunately, I haven't had the chance yet to queue 40 minutes to try them. I promise to post a word when I'd have.

It doesn't matter, I can offer you today to take Jose and Kattia's private funicular to Wulai's falls... Just relax and enjoy this little trip into the jungle of Taipei, the music has been entirely composed by Jose (
www.showcaseyourmusic.com/sonorum).

Funicular (musical video by Jose Duarte and Kattia Salas)

27 March 2007

It is normal...


What is « normal » ? What are your criterias of normality?


Is it normal for my Japanese classmate not to know where Greece is?

Is it normal to cast some old lepers from their center to build the metro?

Is it normal to hear all day long the child next door crying?

Is it normal to run into debt to buy a brand name bag?

Is it normal to kill oneself because of an unhappy love affair?

Is it normal for a suicide to fail because someone else was killed instead by accident?

Is it normal to think the grass is greener on the other side of the fence?

Is it normal not to think the grass is greener on the other side when you finally get there?

Is it normal to call your husband 20 times a day?

Is it normal to open your computer first thing in the morning as soon as you wake up?

Is it normal to be normal?

Is it normal for me to rush back home every time I realize that I have forgotten my cellphone?!

Today’s favorites

Framing a New Value System in Taiwan by Benoit Vermander.

The Goose and the Hen by Bob.

To illustrate the above questions, here is a French song about what is normal.

C’est normal. (It is normal)

( A French song by Areski Belkacem and Brigitte Fontaine, 1973)

-The translation is my own, so it might not be accurate.

La la la…

- Areski !
- Qu'est-ce qu'il y a ? (
What’s up?)
- T'as pas entendu un truc bizarre ?
(Didn’t you hear something strange ?)
- Si. (Yes, I did.)
- Qu'est-ce que c'est ? (What is it ?)
- C'est le gaz. C'est le gaz dans l'appartement en dessous. Des fois y'a fuites, alors ça s'accumule, puis si y'a une étincelle ça explose.
C'est normal ! (It’s the gas, the gas in the flat downstairs. Sometimes there are leaks which accumulate and explode, if there is a spark. It’s normal !)
- Ah.
- Et qui dit explosion, dit détonation. D'où le bruit que t'as entendu tout à l'heure.
(And if there is an explosion, there is also a detonation. That’s the noise you heard a moment ago.)
- Ah.

La la la… (singing)

- Dis donc ? (
Hey ?)
- Quoi ? (What ?)
- Tu n'sens pas le brûlé ?
(Do you smell something burning?)
- Ben ouais, c'est normal je t'ai expliqué. Il y a eu une explosion. (Of course, it’s normal, I’ve explained it to you. There has been an explosion.)
- Oui.
- Et l'agitation moléculaire due à cette explosion…
(And the molecular agitation due to that explosion…)
- La… quoi ? (The what?)
- L'agitation moléculaire. (The molecular agitation.)
- Ah oui. (Oh yes.)
- Provoque une élévation thermique suffisante pour enflammer les matières environnantes.
(It causes a thermal rise high enough to set fire to the surrounding materials.)
- Oui, oui.
- C'est alors ce qu'on appelle la combustion. C'est normal ! (That’s what ‘s called « combustion ». It is normal !)
- Ah.
- Tu comprends ? (Do you understand ?)
- Oui, oui.

La la la…

- Mais alors… mais… (But then… But…)

La la la…

- Qu'est-ce que tu voulais ? La la la… (
What do you want now? La la la…)
- Là je voulais savoir… Tout l'immeuble, il est en train de brûler, c'est bien ça ?
(I just wanted to know… The whole building is on fire, isn’t it?)
- Mais oui, écoute. Les matières qui ont servi à la construction de cet immeuble sont très fragiles. Tu comprends ? (Of course, listen. The materials they used to build this building are very flammable. Do you understand?)
- Oui.
- C'est normal parce que de toutes façons il n'y a que des familles d'ouvriers et des étrangers et quelques improductifs.
(It is normal because there are only workers and foreigners families here, and a few unproductive people.)
- Oui.
- Alors le feu s'empare très facilement des matières. (Then
these materials can very easily catch fire.)
- Ouais. (
Right !)
- Ça se propage. Nous sommes donc en présence d'un incendie. (
It is spreading. It's a fire!)
- Aaaah. un incendie. (Aaah. A fire.)
- C'est normal. (It’s normal)
- Oui, oui, oui. (Yes, yes, yes.)
- Oui ? (Yes ?)
- D'accord. (OK.)

La la la…

- Areski !
- Qu'est-ce qu'il y a encore ? (Again ?
What is it this time?)
- Tu sens pas comme si on commençait à tomber, là, un peu… ?
(Don’t you feel like we’re falling a bit ?)
- Ecoute… Ecoute… (Listen…Listen)
- Oui.
- Essaie de comprendre, c'est très simple. (Try to understand, it’s very
simple.)
- Oui.
- Tu te souviens la combustion ? (Do you remember the combustion thing ?)
- Oui.
- La destruction de l'immeuble par les flammes ? (The flames destroying the building ?)
- Oui.
- Bon. Ça veut dire qu'en-dessous, les murs et les étages ont disparu.
(Well, that means that underneath walls and floors have disappeared.)
- Hum.
- Et qu'nous n'sommes plus soutenus par rien. (And we are not being held up anymore by anything.)
- Ouais.
- Or, une chose qui n'est plus soutenue par rien, tombe. C'est ce qu'on appelle la pesanteur. C'est normal ! (Something not held by anything falls. That’s what’s called gravity)
- Aaaah, ouais.

La la la…

- Mais alors… on va tomber… (But then…
we’re gonna fall…)
- Mais oui. (Yes.)
- Du 15e étage ? (From the 15th floor ?)
- C'est tout à fait normal.
C'est l'attraction terrestre. (It’s completely normal, it’s the Earth’s gravity.)
- D'accord. (OK)

La la la…

- Ares, excuse-moi. (Ares, pardon me)
- Quoi ? quoi ? (What ? What ?)
- Pardon, mais je pense à un truc. On n'va pas mourir dans une minute ?
(Sorry, but I’ve just thought about something. Aren’t we gonna die in a minute ?)


- Brigitte, tu es fatigante ! (Brigitte, you are so wearisome !)
- Pardon. (Sorry)
- Donc, on est en train de tomber. (Well, we are falling.)
- Oui.
- Or, tout corps tombe à une vitesse définie. (And
every body falls at a certain speed)
- Oui.
- Et en arrivant au sol il subit une décélération violente qui amène la rupture de ses différents composants.
Par exemple, les membres se séparent du tronc… (When it touches the ground, it is subjected to a violent deceleration which causes the breaking of the different parts. For example, the limbs separate from the trunk...)
- Oui.
- Le cerveau jaillit hors de la boîte cranienne, etc. (The brain goes out of the skull, etc..)
- Ouais.
- Dans ces conditions de déconnexion, il est évident que le phénomène de la vie ne peut pas se maintenir, c'est NORMAL, tu comprends ?
(In these conditions of deconnection, it is obvious that life cannot be maintained. It’s NORMAL, don’t you understand?)
- Ouais… (Yeah…)

 
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